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Reawakening the Future History Film
BY JEFF
Jeff@brooklynartscenter.com
Film Festival
Thursday night at the historic Ritz Theatre, on the edge of downtown
the Jacksonville Film Festival officially started. Thanks to the
library of congress, and Tim Massett, from the Pit, we were allowed to
look back nearly 100 years and see the daring creativity of local film
making. After a brief and informative introduction from Sandra Birnhak,
president of World View Entertainment, the theatre went dark and the
film began.
Clicking along on what sounded like a well preserved antique
projector, was one of only two known copies of the silent, black and
white film "Flying Aces". Live classical music scoring accompanied the
film, as it was expertly transitioned from one reel to the next, for
the capacity crowd. <see review>
After the lights turned on, Colonel Norman, son of Richard Norman,
Proprietor of Norman Studios and director of the film, shared stories
of growing up around the studio. When he spoke of "Peg Leg Pete", he
almost seemed to be that little boy, "Hang'n out back o' the studio".
And, we where transported with him.
Then, of course, came the inevitable exodus of the audience. The whole
crowd seemed more enlivened and good spirited than those usually
leaving a theatre. The post-film reception was talkative and excited
as we were treated to drinks and desert, including handmade chocolates
from Peter Brooke. It was a short sweet and invigorating opening
night.
Friday Afternoon and so much has already been missed, films started
rolling at 10:00am and don't end until midnight. I am watching a cute
little documentary about turtles, but its really more about the people
who care for them (a la "Vynle"). Then "Livermore" starts <see
review>, followed by a student filmmakers panel titled "Legends of
Tomorrow". Several student short films were shown before the panel,
and although the process was a little confusing the shorts themselves
showed incredible creativity and thorough production standards. They
had a very original "guerilla" attitude which was very encouraging.
Of course, the primary question put to the student and teacher
filmmakers, was "should I go to film school, and why". Basically, the
answer was maybe, and the reasons where, primarily to be around other
filmmakers, and use of school equipment. Though, the equipment issue
is less important than in the past, the importance of working with
other people with similar interests is at least as important as ever.
Financing was another key topic - interestingly the student primarily
finance and hence control and own there Senior or Capstone film.
Creativity seemed to be the theme for finance, from credit cards to
deferred payments. Music licensing was also discussed, and purchasing
rights early in the process was stressed. I especially, liked it when
Richard Grula, Operations Director of UCF, said "we can either create
original films or just accept major studio releases masquerading as
independent films". It certainly brought me back to the last few
Sundance Film Festivals, where a large portion of the "Independent
Films" were being released by "Independent Divisions" of the major
studios. I guess I just hate to think of "Independent" as a market
segment.
The Q&A period really drew out some great questions, especially from
Mactruque, a local artist. Along with practical advise, more complex
subjects where addressed. When asked "what is an art film?" Adam, a
student filmmaker, began to explain on that he had recently seen. Once
he saw that he had lost most of the audience, he happily concluded
"well that's an Art Film". We could not contain our laughter. After
the panel, I had a chance to talk with some of the panelist, "What
about a Student Film Festival?", "Maybe". Luckily, I met the producer
for "Freedom Never Dies" and was able to get a screener, so I could
write a review. Well, enough learning for a Friday night, let go to a
party.
What a perfect night, amazing space, great art, beautiful people and
free liquor. JMOMA hosted and Baccardi Sponsored the Opening Night
Party "Reflections and Projections". There was no doubt that this was
a film party, full of industry visionaries, industry rebels and even
some celebrities. I personally made a fool of myself, for some reason
my mind seems to put celebrities in the same category as strangers
that I see out on the town, just a vague familiarity. So, of course I
see a familiar face and I think the woman is someone I know from a
night out at a club. It only took one moment to realize how wrong I
was. I have since seen here, on the telly as one of them special
guests. I will not mention the name; I would never get permission.
But, I do here publicly apologize for being a sod.
Fortunately, I met Jean Tait, Programmer for the Jacksonville Film
Festival; she truly has a great understanding and passion for
independent film. She related some moments in the film festival, and I
loved her response to an event critic "If the films start on time,
they'll think we don't know what we're doing--no one starts on time at
a film festival!". This is the sort of human understanding that only
comes from experience - no wonder the festival was such a success.
Sandra Birnhak was equally impressive and quite down to earth. My joy
was restored. (Look for Interviews in future issues)
On my next trip back from the bar, (did I mention free 12 year old
scotch?); I ran into Chad Hendricks, producer of "Crackerjack" and
"Playing For Keeps". This was very important, since I was hoping to
screen "Crackerjack" and the trailer for "Playing For Keeps" that
night at Brooklyn.
So, no time for sleep, we are off to Brooklyn. I was not sure until
that very night, we were really going to do the screening, but it was
a good exercise for future screenings. Needless to say, it was in
stark contrast to the previous evening, let me count the ways:
This was a trailer compiled that week from footage shot the week
before, the projection was handled by my incompetent ass, through a
digital projector on a makeshift shelf, onto the wall. I distinctly
remember, people shouting to take the lens cap off the projector as I
was balanced on the top of a ladder. There was no introduction, and
everyone was nice enough to set-up and take down their own folding
chair. It was not a capacity crowd in a historic theatre; this was an
intimate gathering in the back room of a community gallery. There was
no reception afterwards, we all went our own way - but many met up
later at the Pub around the corner, for beer and pretzels. But,
looking back, I would not have missed either screening. Truly, neither
will happen again.
Saturday morning against my better judgment, I woke early. I was
rewarded, with some amazing films, compliments of JMOMA and Tim
Massett. While "Strip Mall" and "Copy Shop", the first two shorts,
where not new; both are worth seeing again. In a way both films
represent, the purpose and success of alternative film distribution.
"Strip Mall" would never have come from a major studio, or seen on one
of their Cineplexes, it is simply too beautiful. "Copy Shop" is one of
the gems, that could only have been found on the internet. But, seeing
some old favorites in the wonderful, JMOMA theatre was not, the end of
the treat. I was also introduced to some bizarre, brilliant artistic
films. The first one "life in a closed system", was the best emotional
communication of complex ideas I could even imagine; look out M.I.T..
Besides, it was full of humor and utterly original, like any organic
system. The last two were dream like wonderings, so I just sat back
and enjoyed, I hope you can find such film bliss.
I was running late for "A Crash Course in Screenwriting", and had to
stand in the doorway, because the room was filled. Still it was well
worth the uncomfortable seating, as Chuck Pfarrer, ("Red Planet", "The
Jackel"…) and Sharon Y. Cobb ("Lighthouse Hill"…). I don't know if it
was planned this way, or if it just happened, but the workshop was run
as a conversation between two writers. This style created a very
inviting, dynamic atmosphere, despite the crowded room. While sharing,
basic story concepts with concrete examples, there was a constant
interaction with the audience about personal experiences as a writer,
which was even more informative. Probably, the most effective workshop
I have been to. After the meeting, I saw a lot of disconnected writers
getting connected, talking about projects and groups. Leaving the
workshop with a handful of reference material, I headed to the
"Industry Insiders Panel".
The Panel started with an impressive line-up of experienced filmmakers
and visionaries. Though some may say that the questioning was a little
disorganized, I think the lack of structure helped create am or
dynamic event.
The participants where obviously, battle worn veterans, yet still very
passionate about their work. I walked away knowing that:
Hollywood financing is as ridiculous as could be imagined.
The best way to learn, is to pick up a camera (or stand in front of
one) and start shooting.
You have to believe in your dream, because thre are many mistakes
ahead, and it is not profitable at first.
Though it is a labor of love, it can be done, any you can learn from
your mistakes.
Most of the panel was very animated and open about their experiences,
and ideas. Very fun and informative panel!!!
The highlight of the film festival for me was the screening of
"Surfacing". A simple coming of age story about a normal group of
teenagers; I mean they could just as well be our neighbors. Inside
this personal little tale, lay some profound and universal human
questions: How do we handle loss and move on? How can we forgive,
especially ourselves? By what, do we judge or misjudge one another?
Endearing, yet powerful; simple, yet profound.
Not only was this a great film, it was made here by local filmmakers.
In fact, several local films were showcased in the festival, not to
mention well over a dozen film shorts by local and regional
filmmakers.
Surprising? Now remember, this weekend was not primarily focused on
local film. In fact, with less than a year to build this event, there
was no time to publicly request submissions of any kind. Imagine, how
many more, local films are still out there waiting to be discovered
and cherished. In fact, if you know of any let me know, I am starting
submissions right here.
Thanks to the boundless commitment of the festival team, we enjoyed so
much more than just independent or local film. From immense lavish
parties to intimate coffee talk. From local experimental cinema art to
major premiers and so much in between. Educational workshops and
panels for all, balanced well with private receptions for sponsors and
irreverent comedies.
After "Surfacing" finished, it was on to the lavish sponsorship party
and an irreverent comedy. The "Baccardi GALA Red Carpet Walk", at the
Florida Theatre was packed. It seemed the perfect chance for sponsors
to chat informally with industry insiders, film finance and celebrity
stories being the obvious subject of conversation. The beautiful
theatre impressed everyone, in fact, Michael Keller (Director Vampires
Anonymous) later told me "I want my next movie to play in the stunning
Florida Theatre". Other filmmakers voiced similar awe, then the
pre-film presentations started, full of loving humor.
The much-anticipated film "The Secret Lives of Dentists" did not
disappoint. It was a thoughtful, hilarious story of one man's
compelling struggle with jealousy and trust. Set in the midst of
endearing family chaos, when his wife seeks self expression. Dennis
Leary is dead on, with a rapture of raw love.
Saturday Night ended with a party, two free bars, roving sushi and all
the film makers that I had met during the festival. Strangely, the
sidewalk outside seemed, the best place to talk, even with all the
decorations upstairs. I closed the party down, talking to local
filmmaker Josh Skierski, about art.
Sunday, I was drained, but I went to catch a couple of films. See how
hard I work for my adoring fans. But, in my weakened state I went to
the wrong theatre. It did not take me long to figure out that "The End
of Cinematics" was not a romantic comedy. I am glad I got lost
because, the visuals were beautifully striking and having an odd
dreamlike art house displayed in a big dark theatre was eerie in a
good way, and an experience worth having.
Not to mention, the confusion prepared me for "Lighthouse Hill", not
your ordinary comedy, and equally dreamlike in its own way. <see
review> Besides, the right theatre was only a few steps away, from the
other theatre. How nice is that?
After all of this, the final party is right outside my office. Best of
all, I could enjoy it with some of the crew from the Caravan Stage
Barge, but that's another story. It rained in the middle of the party,
but who cares it's been a beautiful weekend.
Web sites recommended.
www.atomfilms.com -
Although it started before iFilms, it is still what they tried to be.
www.triggerstreet.com
- Review short films and scripts, submit the same. The difference is;
they were a legitimate studio before they were a web site. Kevin
Spacey's Brain Child.
www.ifilm.com - Yes, it is
still up and running. Though, it seems to be changing to a pop-up
promotion and porn site.
www.oddlings.com -
Inspiring story of one team's struggle for collaboration. Cute site.
www.warnerchappell.com
- License all the music for your film, better do it before getting
distribution, or it could cost you.
My favorite quotes from the festival.
"the way the city supported the films, big things are in this
festivals future"
Paul Campbell
Producer
"It All Happens Incredibly Fast"
"Had an unbelievable time in Jacksonville, it was way more than we had
hoped...now the hard part which is getting back to reality!"
Trent McMullen
Actor
"It All Happens Incredibly Fast"
*Confirmed
"If the films start on time, they'll think we don't know what we're
doing--no one starts on time at a film festival!"
Jean Tait
Program Director
Jacksonville Film Festival
*Confirmed
"We can either create original films or just accept major studio
releases masquerading as independent films"
Richard Grula
Public Programs Operations Manager
University of Central Florida
*confirmed
"Jean [Tait] was amazing, she really made this a great experience"
"What I learned at the Florida Theatre
1. I like Jacksonville.
2. I want my next movie to play in the stunning Florida Theatre where
"The King" once graced the stage.
3. I want to marry a southern woman."
Michael Keller
Director
Vampires Anonymous
*confirmed
"This is one of the best film festival experiences I have had."
Mark Bailey
Distributor
Manhattan Pictures International
*Confirmed
"The Hollywood movie industry is just as cheesy as you can imagine"
"I made so many mistakes, but each mistake lead to a new opportunity.
So in a way I made no mistakes"
Robin Cowie
Producer
Blair Witch Project
"If this is your [city's], first attempt at a film festival you should
have no problem making it one of the major film festivals in the
future"
Paul Campbell
Producer
"It All Happens Incredibly Fast"
*Confirmed
"Much better than Cannes, I would do it again and again"
No One
Any
"I made it up" |
