FOUR SINGLES CURRENTLY AVAILABLE: “POISON APPLE,” “TENNESSEE GIRL,” “WHEN YOU FOUND ME,” AND “SUICIDE WEATHER”
Some may know Shane Tutmarc as the front man for Seattle-based indie-pop band Dolour, which featured Robin Pecknold (Fleet Foxes). However, after packing up Dolour, Tutmarc packed his bags in 2010 and moved to Nashville, where he refined his sound, blending garage-rock, folk, blues, country, gospel, and pop to create an Americana flavor that pays homage to its predecessors, but also knows when to expand on and experiment with different influences. The result is something that has been described as Nashville rock-n-soul; but, after one listen to Tutmarc’s music, you won’t be worrying as much about labels and genres as you will be singing along.
Having recorded a full-length in Nashville, Borrowed Trouble, which has since been placed on the back burner due to an investor in the album pulling out at the eleventh hour, Tutmarc has kept busy playing around Nashville and the Northwest, as well as producing other artists. However, he recently has decided to release a single a month throughout 2015, with plans to compile the songs and release a full-length in 2016. The singles will be released by Portland, Oregon-based indie, In Music We Trust Records.
The April single hit on April 28th and is “Suicide Weather.”
The first single, “Poison Apple,” digitally released January 27th, found Tutmarc delivering a melodic garage rocker. Produced by Tutmarc, the song features his uncanny ability to carve out a melody while creating a fun, but also serious rock beat, allowing him to weave between genres without sounding forced or contrived.
The second single, “Tennessee Girl,” released February 24th, took a 180 and found Tutmarc offering up a more traditional country song, an upbeat love song about a man traveling, yearning to get back to his girl in Tennessee.
The third single, released March 31st, “When You Found Me,” was originally recorded for Borrowed Trouble, but re-recorded for the single-a-month plan. A guitar-driven, muddy blues-influenced, mid-tempo rocker, the song showcases Tutmarc’s ability to get gritty, without losing his melodic sensibilities.
It’s this ability to vacillate between styles, and also merge them effortlessly when he wants, that has made Tutmarc a go-to man for co-writing in Nashville, as well as a producer. His agility in his songwriting and musical breadth help him carry out his vision, whether it’s a dense, lush, or sparse song that Tutmarc feels he needs to carry out his message.
That is why he looks forward to 2015, and the freedom to slowly craft an album, while releasing singles each month, keeping new music outpouring, and not tying his hands with the pressure to go in and create a collection of songs immediately for a release.